Thursday 13 April 2017

Oscar Wilde's “The Ballad of Reading Gaol”





Oscar Wilde: Irish-born poet, playwright & author ~ (1854-1900)
(Photographed in New York by Napoleon Sarony ~ 1882)
Image courtesy of: Arsène & Laurent



After his release from Reading Gaol (now known as Reading Prison, a compound originally built in 1844), in Berkshire, England, on May 19th, 1897, where Oscar Wilde—the Irish-born playwright, author, wit, society figure and celebrated aesthete—had spent two years of hard labour for “committing acts of gross indecency with certain male persons” (he was imprisoned on May 25th, 1895), the by-then disgraced playwright decided to leave the United Kingdom and live on the Continent where he spent his remaining three years, dying of acute meningitis in 1900 (some biographers have maintained that Wilde's meningitis was due to and the end result of tertiary syphilis, caught—from a female Oxford prostitute—when he was a student about 1878), at the age of forty-six in Paris, a broken man. (Quote: Latson, J., Time Magazine, May 25, 2015)

(Wilde's notorious court trials—three in all—which led to his imprisonment was due to his homosexual relationships with young men; foremost among whom was his intimate relationship with Lord Alfred 'Bosie' Douglas, son of John Sholto Douglas, 9th Marquess of Queensberry. It was the influential but quarrelsome Marquess of Queensberry who, having unsuccessfully attempted to break the relationship, hounded Wilde with allegations of indecency with his son, Alfred. It must be mentioned that Queensberry's older son and heir, Francis Archibald Douglas, Viscount Drumlanrig, was also homosexual and was alleged to have been involved with Archibald Philip Primrose, 5th Earl of Rosebery; in 1894—while 'Bosie' was involved with Oscar during the same period of time—Francis killed himself at the age of twenty-six. Homosexuality—or sodomy, as it was referred to—in England in the 19th century—and right up to the 1960s, in fact—was more than scandalous; it was criminal and punishable by law. When Wilde referred to the 'love that dared not speak its name,' he was likely referring to the Latin maxim of law which appertained not only to homosexuality but to bestiality as well: peccatum illud horribile, inter Christianos non nominandum—which translates into something akin to: that horrible crime not to be named among Christians.)

With his two years at Reading Gaol behind him—but hardly forgotten—it was during those three last years of his life that Wilde, reflecting on the inhumane Victorian prison system as well as on his experiences within that system, penned his final literary work—the year following his release, in 1898, to be precise, and published under his prisoner identification number, C.3-3—The Ballad of Reading Gaol. (Wilde's only novel, published in 1891, was The Picture of Dorian Gray; his first play, The Duchess of Padua, also written in 1891, was followed by five more plays before his arrest in 1895. The Importance of Being Earnest and Lady Windermere’s Fan—probably his most successful works—are still performed on stage, television and film.)


Photograph of Oscar Wilde by Napoleon Sarony ~ New York, 1882
Image courtesy of: The Victorianachronists



In her discerning review of The Ballad of Reading Gaol for Poem of the Week, her weekly installment for The Guardian (23rd March, 2009), Carol Rumens astutely observes: “The poem is dedicated to the memory of the 'sometime' Royal Horse Guards trooper, Charles Thomas Wooldridge, and the central incident is Wooldridge's execution for the murder of his wife. Around this narrative core, whose genre might be described as gothic realism, Wilde builds a meditation on the paradoxes of morality. The Ballad is an indictment of the death penalty and the whole penal system, but it is much more than a protest poem. It is a revelation, and its structure is part of that revelation. ... Wilde loved paradox, and he found some essential symbol of it in the man who murdered his wife. Perhaps he found another in the hypocrisy of the prison system itself, destroying the souls and bodies of those it would reform. The ballad form, as he adapts it, encases paradox and story in a tight, encircling ring. It is both a Dante-esque circle of hell and the deadly routine of prison life. It represents the whole cycle of crime and punishment. It is inescapable, like the 'iron gin' mentioned in line 173, a symbol of confinement and possibly also an actual machine.”

In the plodding iambic tetrameter and the extensive use of refrain and parallelism, we can feel at a physical level the grinding relentlessness of prison work. The tasks Victorian prisoners were set were part of their punishment. They would pedal a treadmill with their feet, for example, and though some prison treadmills were geared to grind corn or raise water, others had no use but to enslave. Then there was the nasty business of oakum picking, a task of unravelling the twine of old tarred ropes salvaged from ships. Wilde had worked at this until his fingers bled. ... Sympathy,” intelligently and succinctly concludes Rumens, “enables Wilde to remember vivid details and evoke collective feelings. The poem's hellish truthfulness raises it beyond its occasional rhetorical flaws, its purple passages. Suffering is not guaranteed to produce great art, or great humanity. However, there is no doubt that Wilde, the self-dubbed 'lord of language,' turns his awful humiliation to triumph in the Ballad, and attains a new poetic and moral stature.” (Quotes: Rumens, C., The Guardian, March 23, 2009)

(Sources: Latson, J., When Oscar Wilde's Wit Couldn't Save Him, Time Magazine, May 25, 2015; History, 1897: Oscar Wilde is released from jail, This Day In History: May 19; LawMag, Oscar Wilde, Sodomite, January 26, 2014; Lewis, R., Nutcases, nuns and the family that ruined Oscar Wilde, The Daily Mail, published April 25, 2013, updated May 1, 2013; Rumens, C., Poem of the Week: The Ballad of Reading Gaol, The Guardian, March 23, 2009; Elliott, C., What Killed Oscar Wilde? The New York Times, March 20, 1988)



Above left: Oscar Wilde ~ ca. 1890 | Above right: chalk & pastel drawing of Lord Alfred 'Bosie' Douglas by Sir William Rothenstein ~ Oxford, 1893
Above left image, courtesy of: The Guardian | Above right image, courtesy of: Alfred Douglas





The Ballad of Reading Gaol

I

He did not wear his scarlet coat,
  For blood and wine are red,
And blood and wine were on his hands
  When they found him with the dead,
The poor dead woman whom he loved,
  And murdered in her bed.

He walked amongst the Trial Men
  In a suit of shabby gray;
A cricket cap was on his head,
  And his step seemed light and gay;
But I never saw a man who looked
  So wistfully at the day.

I never saw a man who looked
  With such a wistful eye
Upon that little tent of blue
  Which prisoners call the sky,
And at every drifting cloud that went
  With sails of silver by.

I walked, with other souls in pain,
  Within another ring,
And was wondering if the man had done
  A great or little thing,
When a voice behind me whispered low,
  "That fellow's got to swing."

Dear Christ! the very prison walls
  Suddenly seemed to reel,
And the sky above my head became
  Like a casque of scorching steel;
And, though I was a soul in pain,
  My pain I could not feel.

I only knew what haunted thought
  Quickened his step, and why
He looked upon the garish day
  With such a wistful eye;
The man had killed the thing he loved,
  And so he had to die.

Yet each man kills the thing he loves,
  By each let this be heard,
Some do it with a bitter look,
  Some with a flattering word,
The coward does it with a kiss,
  The brave man with a sword!

Some kill their love when they are young,
  And some when they are old;
Some strangle with the hands of Lust,
  Some with the hands of Gold:
The kindest use a knife, because
  The dead so soon grow cold.

Some love too little, some too long,
  Some sell, and others buy;
Some do the deed with many tears,
  And some without a sigh:
For each man kills the thing he loves,
  Yet each man does not die.

He does not die a death of shame
  On a day of dark disgrace,
Nor have a noose about his neck,
  Nor a cloth upon his face,
Nor drop feet foremost through the floor
  Into an empty space.

He does not sit with silent men
  Who watch him night and day;
Who watch him when he tries to weep,
  And when he tries to pray;
Who watch him lest himself should rob
  The prison of its prey.

He does not wake at dawn to see
  Dread figures throng his room,
The shivering Chaplain robed in white,
  The Sheriff stern with gloom,
And the Governor all in shiny black,
  With the yellow face of Doom.

He does not rise in piteous haste
  To put on convict-clothes,
While some coarse-mouthed Doctor gloats, and notes
  Each new and nerve-twitched pose,
Fingering a watch whose little ticks
  Are like horrible hammer-blows.

He does not feel that sickening thirst
  That sands one's throat, before
The hangman with his gardener's gloves
  Comes through the padded door,
And binds one with three leathern thongs,
That the throat may thirst no more.

He does not bend his head to hear
  The Burial Office read,
Nor, while the anguish of his soul
  Tells him he is not dead,
Cross his own coffin, as he moves
  Into the hideous shed.

He does not stare upon the air
  Through a little roof of glass:
He does not pray with lips of clay
  For his agony to pass;
Nor feel upon his shuddering cheek
  The kiss of Caiaphas.



Oscar Wilde & Lord Alfred Douglas ~ May, 1893
(National Portrait Gallery)
Image courtesy of: Solitary Dog Sculptor I




II
Six weeks the guardsman walked the yard,
  In the suit of shabby gray:
His cricket cap was on his head,
  And his step was light and gay,
But I never saw a man who looked
  So wistfully at the day.

I never saw a man who looked
  With such a wistful eye
Upon that little tent of blue
  Which prisoners call the sky,
And at every wandering cloud that trailed
  Its ravelled fleeces by.

He did not wring his hands, as do
  Those witless men who dare
To try to rear the changeling Hope
  In the cave of black Despair:
He only looked upon the sun,
  And drank the morning air.

He did not wring his hands nor weep,
  Nor did he peek or pine,
But he drank the air as though it held
  Some healthful anodyne;
With open mouth he drank the sun
  As though it had been wine!

And I and all the souls in pain,
  Who tramped the other ring,
Forgot if we ourselves had done
  A great or little thing,
And watched with gaze of dull amaze
  The man who had to swing.

For strange it was to see him pass
  With a step so light and gay,
And strange it was to see him look
  So wistfully at the day,
And strange it was to think that he
  Had such a debt to pay.

The oak and elm have pleasant leaves
  That in the spring-time shoot:
But grim to see is the gallows-tree,
  With its alder-bitten root,
And, green or dry, a man must die
  Before it bears its fruit!

The loftiest place is the seat of grace
  For which all worldlings try:
But who would stand in hempen band
  Upon a scaffold high,
And through a murderer's collar take
  His last look at the sky?

It is sweet to dance to violins
  When Love and Life are fair:
To dance to flutes, to dance to lutes
  Is delicate and rare:
But it is not sweet with nimble feet
  To dance upon the air!

So with curious eyes and sick surmise
  We watched him day by day,
And wondered if each one of us
  Would end the self-same way,
For none can tell to what red Hell
  His sightless soul may stray.

At last the dead man walked no more
  Amongst the Trial Men,
And I knew that he was standing up
  In the black dock's dreadful pen,
And that never would I see his face
  For weal or woe again.

Like two doomed ships that pass in storm
  We had crossed each other's way:
But we made no sign, we said no word,
  We had no word to say;
For we did not meet in the holy night,
  But in the shameful day.

A prison wall was round us both,
  Two outcast men we were:
The world had thrust us from its heart,
  And God from out His care:
And the iron gin that waits for Sin
  Had caught us in its snare.



Oscar Wilde & Lord Alfred Douglas
Image courtesy of: Nők Lapja




III
In Debtors' Yard the stones are hard,
  And the dripping wall is high,
So it was there he took the air
  Beneath the leaden sky,
And by each side a warder walked,
  For fear the man might die.

Or else he sat with those who watched
  His anguish night and day;
Who watched him when he rose to weep,
  And when he crouched to pray;
Who watched him lest himself should rob
  Their scaffold of its prey.

The Governor was strong upon
  The Regulations Act:
The Doctor said that Death was but
  A scientific fact:
And twice a day the Chaplain called,
  And left a little tract.

And twice a day he smoked his pipe,
  And drank his quart of beer:
His soul was resolute, and held
  No hiding-place for fear;
He often said that he was glad
  The hangman's day was near.

But why he said so strange a thing
  No warder dared to ask:
For he to whom a watcher's doom
  Is given as his task,
Must set a lock upon his lips,
  And make his face a mask.

Or else he might be moved, and try
  To comfort or console:
And what should Human Pity do
  Pent up in Murderers' Hole?
What word of grace in such a place
  Could help a brother's soul?

With slouch and swing around the ring
  We trod the Fools' Parade!
We did not care: we knew we were
  The Devils' Own Brigade:
And shaven head and feet of lead
  Make a merry masquerade.

We tore the tarry rope to shreds
  With blunt and bleeding nails;
We rubbed the doors, and scrubbed the floors,
  And cleaned the shining rails:
And, rank by rank, we soaped the plank,
  And clattered with the pails.

We sewed the sacks, we broke the stones,
  We turned the dusty drill:
We banged the tins, and bawled the hymns,
  And sweated on the mill:
But in the heart of every man
  Terror was lying still.

So still it lay that every day
  Crawled like a weed-clogged wave:
And we forgot the bitter lot
  That waits for fool and knave,
Till once, as we tramped in from work,
  We passed an open grave.

With yawning mouth the horrid hole
  Gaped for a living thing;
The very mud cried out for blood
  To the thirsty asphalte ring:
And we knew that ere one dawn grew fair
  The fellow had to swing.

Right in we went, with soul intent
  On Death and Dread and Doom:
The hangman, with his little bag,
  Went shuffling through the gloom:
And I trembled as I groped my way
  Into my numbered tomb.

That night the empty corridors
  Were full of forms of Fear,
And up and down the iron town
  Stole feet we could not hear,
And through the bars that hide the stars
  White faces seemed to peer.

He lay as one who lies and dreams
  In a pleasant meadow-land,
The watchers watched him as he slept,
  And could not understand
How one could sleep so sweet a sleep
  With a hangman close at hand.

But there is no sleep when men must weep
  Who never yet have wept:
So we- the fool, the fraud, the knave-
  That endless vigil kept,
And through each brain on hands of pain
  Another's terror crept.

Alas! it is a fearful thing
  To feel another's guilt!
For, right within, the sword of Sin
  Pierced to its poisoned hilt,
And as molten lead were the tears we shed
  For the blood we had not spilt.

The warders with their shoes of felt
  Crept by each padlocked door,
And peeped and saw, with eyes of awe,
  Gray figures on the floor,
And wondered why men knelt to pray
  Who never prayed before.

All through the night we knelt and prayed,
  Mad mourners of a corse!
The troubled plumes of midnight shook
  Like the plumes upon a hearse:
And as bitter wine upon a sponge
  Was the savour of Remorse.

The gray cock crew, the red cock crew,
  But never came the day:
And crooked shapes of Terror crouched,
  In the corners where we lay:
And each evil sprite that walks by night
  Before us seemed to play.

They glided past, the glided fast,
  Like travellers through a mist:
They mocked the moon in a rigadoon
  Of delicate turn and twist,
And with formal pace and loathsome grace
  The phantoms kept their tryst.

With mop and mow, we saw them go,
  Slim shadows hand in hand:
About, about, in ghostly rout
  They trod a saraband:
And the damned grotesques made arabesques,
  Like the wind upon the sand!

With the pirouettes of marionettes,
  They tripped on pointed tread:
But with flutes of Fear they filled the ear,
  As their grisly masque they led,
And loud they sang, and long they sang,
  For they sang to wake the dead.

"Oho!" they cried, "the world is wide,
  But fettered limbs go lame!
And once, or twice, to throw the dice
  Is a gentlemanly game,
But he does not win who plays with Sin
  In the secret House of Shame."

No things of air these antics were,
  That frolicked with such glee:
To men whose lives were held in gyves,
  And whose feet might not go free,
Ah! wounds of Christ! they were living things,
  Most terrible to see.

Around, around, they waltzed and wound;
  Some wheeled in smirking pairs;
With the mincing step of a demirep
  Some sidled up the stairs:
And with subtle sneer, and fawning leer,
  Each helped us at our prayers.

The morning wind began to moan,
  But still the night went on:
Through its giant loom the web of gloom
  Crept till each thread was spun:
And, as we prayed, we grew afraid
  Of the Justice of the Sun.

The moaning wind went wandering round
  The weeping prison wall:
Till like a wheel of turning steel
  We felt the minutes crawl:
O moaning wind! what had we done
  To have such a seneschal?

At last I saw the shadowed bars,
  Like a lattice wrought in lead,
Move right across the whitewashed wall
  That faced my three-plank bed,
And I knew that somewhere in the world
  God's dreadful dawn was red.

At six o'clock we cleaned our cells,
  At seven all was still,
But the sough and swing of a mighty wing
  The prison seemed to fill,
For the Lord of Death with icy breath
  Had entered in to kill.

He did not pass in purple pomp,
  Nor ride a moon-white steed.
Three yards of cord and a sliding board
  Are all the gallows' need:
So with rope of shame the Herald came
  To do the secret deed.

We were as men who through a fen
  Of filthy darkness grope:
We did not dare to breathe a prayer,
  Or to give our anguish scope:
Something was dead in each of us,
  And what was dead was Hope.

For Man's grim Justice goes its way
  And will not swerve aside:
It slays the weak, it slays the strong,
  It has a deadly stride:
With iron heel it slays the strong
  The monstrous parricide!

We waited for the stroke of eight:
  Each tongue was thick with thirst:
For the stroke of eight is the stroke of Fate
  That makes a man accursed,
And Fate will use a running noose
  For the best man and the worst.

We had no other thing to do,
  Save to wait for the sign to come:
So, like things of stone in a valley lone,
  Quiet we sat and dumb:
But each man's heart beat thick and quick,
  Like a madman on a drum!

With sudden shock the prison-clock
  Smote on the shivering air,
And from all the gaol rose up a wail
  Of impotent despair,
Like the sound the frightened marshes hear
  From some leper in his lair.

And as one sees most fearful things
  In the crystal of a dream,
We saw the greasy hempen rope
  Hooked to the blackened beam,
And heard the prayer the hangman's snare
  Strangled into a scream.
And all the woe that moved him so
  That he gave that bitter cry,
And the wild regrets, and the bloody sweats,
  None knew so well as I:
For he who lives more lives than one
  More deaths that one must die.



Oscar Wilde & Lord Alfred Douglas
Image courtesy of: Art Heals Wounds




IV
There is no chapel on the day
  On which they hang a man:
The Chaplain's heart is far too sick,
  Or his face is far too wan,
Or there is that written in his eyes
  Which none should look upon.

So they kept us close till nigh on noon,
  And then they rang the bell,
And the warders with their jingling keys
  Opened each listening cell,
And down the iron stair we tramped,
  Each from his separate Hell.

Out into God's sweet air we went,
  But not in wonted way,
For this man's face was white with fear,
  And that man's face was gray,
And I never saw sad men who looked
  So wistfully at the day.

I never saw sad men who looked
  With such a wistful eye
Upon that little tent of blue
  We prisoners called the sky,
And at every happy cloud that passed
  In such strange freedom by.

But there were those amongst us all
  Who walked with downcast head,
And knew that, had each got his due,
  They should have died instead:
He had but killed a thing that lived,
  Whilst they had killed the dead.

For he who sins a second time
  Wakes a dead soul to pain,
And draws it from its spotted shroud
  And makes it bleed again,
And makes it bleed great gouts of blood,
  And makes it bleed in vain!

Like ape or clown, in monstrous garb
  With crooked arrows starred,
Silently we went round and round
  The slippery asphalte yard;
Silently we went round and round,
  And no man spoke a word.

Silently we went round and round,
  And through each hollow mind
The Memory of dreadful things
  Rushed like a dreadful wind,
And Horror stalked before each man,
  And Terror crept behind.

The warders strutted up and down,
  And watched their herd of brutes,
Their uniforms were spick and span,
  And they wore their Sunday suits,
But we knew the work they had been at,
  By the quicklime on their boots.

For where a grave had opened wide,
  There was no grave at all:
Only a stretch of mud and sand
  By the hideous prison-wall,
And a little heap of burning lime,
  That the man should have his pall.

For he has a pall, this wretched man,
  Such as few men can claim:
Deep down below a prison-yard,
  Naked, for greater shame,
He lies, with fetters on each foot,
  Wrapt in a sheet of flame!

And all the while the burning lime
  Eats flesh and bone away,
It eats the brittle bones by night,
  And the soft flesh by day,
It eats the flesh and bone by turns,
  But it eats the heart alway.

For three long years they will not sow
  Or root or seedling there:
For three long years the unblessed spot
  Will sterile be and bare,
And look upon the wondering sky
  With unreproachful stare.

They think a murderer's heart would taint
  Each simple seed they sow.
It is not true! God's kindly earth
  Is kindlier than men know,
And the red rose would but glow more red,
  The white rose whiter blow.

Out of his mouth a red, red rose!
  Out of his heart a white!
For who can say by what strange way,
  Christ brings His will to light,
Since the barren staff the pilgrim bore
  Bloomed in the great Pope's sight?

But neither milk-white rose nor red
  May bloom in prison air;
The shard, the pebble, and the flint,
  Are what they give us there:
For flowers have been known to heal
  A common man's despair.

So never will wine-red rose or white,
  Petal by petal, fall
On that stretch of mud and sand that lies
  By the hideous prison-wall,
To tell the men who tramp the yard
  That God's Son died for all.

Yet though the hideous prison-wall
  Still hems him round and round,
And a spirit may not walk by night
  That is with fetters bound,
And a spirit may but weep that lies
  In such unholy ground,

He is at peace- this wretched man-
  At peace, or will be soon:
There is no thing to make him mad,
  Nor does Terror walk at noon,
For the lampless Earth in which he lies
  Has neither Sun nor Moon.

They hanged him as a beast is hanged:
  They did not even toll
A requiem that might have brought
  Rest to his startled soul,
But hurriedly they took him out,
  And hid him in a hole.

The warders stripped him of his clothes,
  And gave him to the flies:
They mocked the swollen purple throat,
  And the stark and staring eyes:
And with laughter loud they heaped the shroud
  In which the convict lies.

The Chaplain would not kneel to pray
  By his dishonoured grave:
Nor mark it with that blessed Cross
  That Christ for sinners gave,
Because the man was one of those
  Whom Christ came down to save.

Yet all is well; he has but passed
  To  Life's appointed bourne:
And alien tears will fill for him
  Pity's long-broken urn,
For his mourners be outcast men,
  And outcasts always mourn.



Oscar Wilde photographed by Napoleon Sarony in New York ~ January, 1882
(Library of Congress)
Above left image, courtesy of: Oscar Wilde In America | Above right image, courtesy of: NewNowNext




V
I know not whether Laws be right,
  Or whether Laws be wrong;
All that we know who lie in gaol
  Is that the wall is strong;
And that each day is like a year,
  A year whose days are long.

But this I know, that every Law
  That men have made for Man,
Since first Man took His brother's life,
  And the sad world began,
But straws the wheat and saves the chaff
  With a most evil fan.

This too I know- and wise it were
  If each could know the same-
That every prison that men build
  Is built with bricks of shame,
And bound with bars lest Christ should see
  How men their brothers maim.

With bars they blur the gracious moon,
  And blind the goodly sun:
And the do well to hide their Hell,
  For in it things are done
That Son of things nor son of Man
  Ever should look upon!

The vilest deeds like poison weeds
  Bloom well in prison-air:
It is only what is good in Man
  That wastes and withers there:
Pale Anguish keeps the heavy gate,
  And the warder is Despair.

For they starve the little frightened child
  Till it weeps both night and day:
And they scourge the weak, and flog the fool,
  And gibe the old and gray,
And some grow mad, and all grow bad,
  And none a word may say.

Each narrow cell in which we dwell
  Is a foul and dark latrine,
And the fetid breath of living Death
  Chokes up each grated screen,
And all, but Lust, is turned to dust
  In Humanity's machine.

The brackish water that we drink
  Creeps with a loathsome slime,
And the bitter bread they weigh in scales
  Is full of chalk and lime,
And Sleep will not lie down, but walks
  Wild-eyed, and cries to Time.

But though lean Hunger and green Thirst
  Like asp with adder fight,
We have little care of prison fare,
  For what chills and kills outright
Is that every stone one lifts by day
  Becomes one's heart by night.

With midnight always in one's heart,
  And twilight in one's cell,
We turn the crank, or tear the rope,
  Each in his separate Hell,
And the silence is more awful far
  Than the sound of a brazen bell.

And never a human voice comes near
  To speak a gentle word:
And the eye that watches through the door
  Is pitiless and hard:
And by all forgot, we rot and rot,
  With soul and body marred.

And thus we rust Life's iron chain
  Degraded and alone:
And some men curse, and some men weep,
  And some men make no moan:
But God's eternal Laws are kind
  And break the heart of stone.

And every human heart that breaks,
  In prison-cell or yard,
Is as that broken box that gave
  Its treasure to the Lord,
And filled the unclean leper's house
  With the scent of costliest nard.

Ah! happy they whose hearts can break
  And peace of pardon win!
How else may man make straight his plan
  And cleanse his soul from Sin?
How else but through a broken heart
  May Lord Christ enter in?

And he of the swollen purple throat,
  And the stark and staring eyes,
Waits for the holy hands that took
  The Thief to Paradise;
And a broken and a contrite heart
  The Lord will not despise.

The man in red who reads the Law
  Gave him three weeks of life,
Three little weeks in which to heal
  His soul of his soul's strife,
And cleanse from every blot of blood
  The hand that held the knife.

And with tears of blood he cleansed the hand,
  The hand that held the steel:
For only blood can wipe out blood,
  And only tears can heal:
And the crimson stain that was of Cain
  Became Christ's snow-white seal.



Oscar Wilde & Lord Alfred Douglas photographed in Rome ~1897
(The British Library)
Image courtesy of: The Guardian




VI

In Reading gaol by Reading town
  There is a pit of shame,
And in it lies a wretched man
  Eaten by teeth of flame,
In a burning winding-sheet he lies,
  And his grave has got no name.

And there, till Christ call forth the dead,
  In silence let him lie:
No need to waste the foolish tear,
  Or heave the windy sigh:
The man had killed the thing he loved,
  And so he had to die.

And all men kill the thing they love,
  By all let this be heard,
Some do it with a bitter look,
  Some with a flattering word,
The coward does it with a kiss,
  The brave man with a sword!
   
C. 3-3 ~ (Oscar Wilde)




Tomb of Oscar Wilde ~ Cimetière du Père Lachaise, Paris
(Commissioned by Robbie Ross | Designed & sculpted by Jacob Epstein)
(Photo by Daniel Bosler)
Image courtesy of: Saatchi Art





Suggested readings:


The Wit of Oscar Wilde (1969), by Oscar Wilde: Barnes & Noble Publishing

Oscar Wilde (1988), by Richard Ellmann: Vintage Books

The Wisdom of Oscar Wilde (2002), by Oscar Wilde: Kensington Publishing Corporation

Epigrams of Oscar Wilde (2007), by Oscar Wilde: Wordsworth Editions

The Complete Works of Oscar Wilde (2014): HarperCollins




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